The Cleveland Museum of Art
Collection Online as of March 29, 2024
Scholar Reclining and Watching Rising Clouds; Poem by Wang Wei
c. 1256
(Chinese, c. 1185–after 1260)
Image: 25.1 x 25.3 cm (9 7/8 x 9 15/16 in.); with mat: 33.3 x 40.5 cm (13 1/8 x 15 15/16 in.)
John L. Severance Fund 1961.421
Location: not on view
Did You Know?
Ma Lin was the son of Ma Yuan, the artist renowned for his unique composition and often referred to as "One-corner Ma."Description
Poem and painting, once mounted together as one fan, exemplify the collaboration between imperial patron and court painter. Emperor Lizong’s calligraphy cites a verse from Wang Wei’s (701–761) poem, Walking to where the water ends, I sit and watch when clouds arise.Ma Lin’s response is this painting. At the water’s edge, a scholar reclines by a large rock. The view leads across the empty middle ground to a distant mountain. With sparse ink and subtly graded washes, Ma Lin visualizes the poetic verse. The painting suggests the impact of Chan aesthetics through interaction between the palace, literati-officials, and monasteries around Hangzhou.
- ?–1961(Nagatani, Inc., Chicago, IL, sold the Cleveland Museum of Art)1961–The Cleveland Museum of Art, Cleveland, OH
- Lee, Sherman E. Tea Taste in Japanese Art. New York, NY: The Asia House Gallery, dist. by H. Abrams, 1963. Mentioned: cat. no. 1, p. 94; Reproduced: cat. no. 1, p. 13Lee, Sherman E. and Wai-Kam Ho. "Scattered Pearls beyond the Ocean." The Bulletin of the Cleveland Museum of Art, Vol. 51, No. 2 (Feb., 1964), p. 23-39. Reproduced: p. 23-39, cat. no. 5 & 6 www.jstor.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 259 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 259 archive.orgWang, Chi-chʻien. Album Leaves from the Sung and Yuan Dynasties: [Exhibition], March 26 Through May 30, 1970. New York: The [China House] Gallery, 1970. Reproduced: cat. no.35The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 342 archive.orgHo, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Reproduced: p. 72, cat. no. 57.Harrist, Robert E. Jr. "'Watching Clouds Rise': A Tang Dynasty Couplet and Its Illustration in Song Painting." The Bulletin of the Cleveland Museum of Art. Vol. 78, No. 7 (Nov., 1991), p. 301-323. Reproduced: p. 301-323, fig. 1 & 2 www.jstor.orgMurray, Julia K. Ma Hezhi and the Illustration of the Book of Odes. Cambridge [England]: Cambridge University Press, 1993. p. 156, fig. 75Cahill, James. The Lyric Journey: Poetic Painting in China and Japan. Cambridge, Mass: Harvard Univ. Press, 1996. Reproduced: p. 30, no. 1.23Murck, Alfreda. Poetry and Painting in Song China: The Subtle Art of Dissent. Cambridge, Mass: Harvard University Asia Center for the Harvard-Yenching Institute, 2000. Reproduced: p. 200, fig. 46Shimada, Hidemasa, and Fujio Nakazawa. Nansō, Kin. Tōkyō: Shōgakukan, 2000. p. 330, no. 261Pegg, Richard A. Sheng Maoye: Painting and Poetry in Late Ming Suzhou. PhD diss., Columbia University, 2001. Reproduced: p. 274, fig. 46 bLi, Huishu. Exquisite Moments: West Lake & Southern Song Art. New York, NY: China Institute Gallery, China Institute: Distributed by Art Media Resources, Ltd., 2001. Reproduced: pp. 104-105, cat. no. 23Schorre, Jane, and Carrin Dunne. Yijing Wondering and Wandering. Houston, Tex: Arts of China Seminars, 2004. Reproduced: p. 159Edwards, Richard. The Heart of Ma Yuan: The Search for a Southern Song Aesthetic. Hong Kong: Hong Kong University Press, 2011. p. 257, fig. 8.21; xii, pl. 60a.Weitz, Ankeney. “The Vocabulary of Fashion: Word-Image Play in Southern Song Painted Fans,” National Palace Museum Bulletin 44 (Oct, 2011), 39-48. Reproduced: p. 39-48, fig. 4
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Source URL:
https://www.clevelandart.org/art/1961.421