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Medieval Monsters: Terrors, Aliens, Wonders

Tags for: Medieval Monsters: Terrors, Aliens, Wonders
  • Special Exhibition
Sunday, July 7–Sunday, October 6, 2019
Location:  004 Special Exhibition Gallery
The Kelvin and Eleanor Smith Foundation Gallery
A medieval maiden in front of a man with a crossbow and a man with a lance stabbing a monster (swallowing another man whose legs are in mouth of the monster)

Taming the Tarasque, from Hours of Henry VIII , in Latin (detail), c. 1500. Illuminated by Jean Poyer (French, active 1465-1503). Ink, tempera, and gold on vellum; 25.6 x 18 cm (10 1/16 x 7 1/16 in.). The Morgan Library & Museum, Gift of the Heineman Foundation, 1977, MS H.8 (fol. 191v)

  1. painting of a siren; a female torso and head with a bird's body and feet walking on sailors drowning in water. She has gold wings and human hands --holding a harp, a horn,
     Siren, from Les Abus du Monde (The Abuses of the World), c. 1510. Pierre Gringore (French, c. 1475-1538). France, Rouen. Ink, tempera, and gold on vellum; 20 x 13 cm (7 13/16 x 5 1/16 in.). The Morgan Library & Museum, Purchased by Pierpont Morgan (1837-1913), 1899, MS M.42 (fol. 15r) 
  2. painting with people and a unicorn
     The Annunciation as an Allegorical Unicorn Hunt, c. 1500. Germany, Eichstätt. Ink, tempera, and gold on vellum; 12.7 x 19 cm (5 x 7 7/16 in.). The Morgan Library & Museum, Purchased on a grant provided by the Bernard H. Breslauer Foundation and with contributions from the Visiting Committee to the Department of Medieval and Renaissance Manuscripts, 2016, MS M.1201 
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About The Exhibition

Monsters captivated the imagination of medieval men and women, just as they continue to fascinate us today. Drawing on the Morgan Library & Museum’s superb collection of illuminated manuscripts, this major exhibition— the first of its kind in North America—will explore the complex social role of monsters in the Middle Ages. Medieval Monsters will lead visitors through three sections based on the ways monsters functioned in medieval societies. “Terrors” explores how monsters enhanced the aura of those in power, be they rulers, knights, or saints. A second section, “Aliens,” demonstrates how marginalized groups in European societies—such as Jews, Muslims, women, the poor, and the disabled—were further alienated by being figured as monstrous. The final section, “Wonders,” considers a group of strange beauties and frightful anomalies that populated the medieval world. Whether employed in ornamental, entertaining, or contemplative settings, these fantastic beings were meant to inspire a sense of marvel and awe in their viewers.

Medieval Monsters

Tags for: Medieval Monsters
  • Magazine Article
  • Exhibitions

Every culture and civilization throughout history, including our own, has its monsters. The origins of medieval monsters...

Saint Martha Taming the Tarasque from the Hours of Henry VIII, c. 1500. Illuminated by Jean Poyer (French, active 1465–1503). The Morgan Library & Museum, New York, Gift of the Heineman Foundation, 1977, MS H.8 (fol. 191v)  Saint Margaret in Prison with t

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Organized by the Morgan Library & Museum, New York

 

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Logo type for the Woems Council with multiple ligatures of WC in a rosette

 

Media Sponsor

Advance Ohio: The Plain Dealer and Cleveland.com