Artwork Page for Westlake Panorama

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Westlake Panorama

西湖全景

mid-1700s
Measurements
Image: 34.6 x 55.4 cm (13 5/8 x 21 13/16 in.); Paper: 38 x 59.3 cm (14 15/16 x 23 3/8 in.)
Public Domain
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Location
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Did You Know?

Woodblock printing in color reached a height in China in the 1600s to 1700s. The prints were executed by means of sets of separate blocks, each carved to print a different color.

Description

Revived by the southern imperial inspection tours, West Lake imagery became a popular subject during the early Qing dynasty. This panorama is composed of four prints, showing the Ten Scenes of the West Lake in Hangzhou along with other sights. The vanishing point perspective and the hatching lines that depict shading, water, or sky derive from European copperplate prints, introduced by missionaries to China, and were celebrated novelties in 18th-century Suzhou prints. These prints also reached Europe to furnish 18th-century palace interiors.
A woodblock print in black ink depicts a horizontal landscape. In the foreground, an arched bridge with a pavilion spans a river as a boat passes beneath. Figures stroll the shore and bridge. Lakeside buildings and tiered towers sit below rolling mountains. Fine, straight lines delineate architectural details, while textured strokes convey foliage and rocky terrain. Vertical Chinese calligraphy appears in the upper right, on a stone tablet, and within a bottom-right seal.

Westlake Panorama

mid-1700s

China, Qing dynasty (1644–1911), Qianlong reign (1736–95)

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