He was meant for all things to meet
2022
Amy Sherald
(American, b. 1973)
America
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Collusions of Fact and Fiction
by Ilka Saal Collusions of Fact and Fiction traces a generational shift in late twentieth-century African American cultural engagements with the history and legacies of transatlantic slavery. With a focus on works by playwright Suzan-Lori Parks and visual artist Kara Walker, the book explores how, in comparison to the first wave of neo-slave narratives of the 1970s and 1980s, artists of the 1990s and early 2000s tend to approach the past from the vantage point of a liberal entanglement of fact and fiction as well as a highly playful, often humorous, and sometimes irreverent signifying on entrenched motifs, iconographies, and historiographies. Saal argues that the attempt to reconstruct or recuperate the experience of African Americans under slavery is no longer at stake in the works of artists growing up in the post–Civil Rights era. Instead, they lay bare the discursive dimension of our contemporary understanding of the past, and address the continued impact of its various verbal and visual signs upon contemporary identities. In this manner, Parks and Walker stake out new possibilities for engaging the past and inhabiting the present and future. Published 2021
African American Art 2025 Wall Calendar
African American artists have made monumental contributions to the world of art, producing an influential body of work informed by the Black experience. Celebrated here is the art of Emma Amos, Grafton Tyler Brown, Keshida Layone, Loïs Mailou Jones, Whitfield Lovell, Dominique Ramsey, Charles White, Laura James, Charles Ethan Porter, Romare Bearden, Laura Wheeler Waring, and Aaron Douglas—some of whom are very well known and others who aren’t but should be. Working in diverse styles, techniques, and media, many of these artists have created memorable images laced with social commentary, cultural affirmation, myth and history, and simple love for people in all their beauty, folly, and nobility. Others have discarded the constraints of representational imagery for a semi-abstracted language that challenges viewers to consider the familiar and the unknown from new perspectives. Twelve superb works of art have been selected for this calendar.
Young, Gifted and Black: A New Generation of Artists
Antwaun SargentWhat's new, now and next from contemporary Black artistsThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director, and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted, and Black in contemporary art.192 pagesFirst published September 29, 2020
Instill and Inspire
by Grace Stanislaus Foreword by Jonathan Green For over fifty years, John and Vivian Hewitt visited galleries, artists' studios, and exhibitions in the United States, the Caribbean, and elsewhere in the Americas, collecting hundreds of paintings, etchings, and sketches. The John and Vivian Hewitt Collection of African-American Art represents fifty-eight works that celebrate the expression and passion of twenty artists, including Romare Bearden, Margaret Burroughs, Jonathan Green, Jacob Lawrence, Elizabeth Catlett, Ann Tanksley, and Henry Ossawa Tanner. The Hewitts believed that sharing their collection with the public would enhance the visibility of artists of African descent and showcase their cultural contributions. The Hewitt Collection was subsequently acquired by the Bank of America and generously donated to The Harvey B. Gantt Center for African American Arts and Culture in Charlotte, North Carolina. This book contains all fifty-eight works from the collection, exquisitely reproduced in full color. Grace C. Stanislaus provides a text on the significance of the collection that is supplemented by interviews with Vivian Hewitt, David Taylor of the Gantt Center, and art collectors Harmon and Harriett Kelley, and Nancy Washington. 240 pages Published 2017
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