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Series Title: Manuel Alvarez Bravo: Fifteen Photographs

La quema

1957, printed 1974
(Mexican, 1902–2002)
Culture
Mexico
Credit Line
Edition
Edition of 75 with 15 artist's proofs
Copyright
Copyright
This artwork is known to be under copyright.
Location
Not on view
?

Did You Know?

It is the artist’s personal outlook and cultural heritage that unify the disparate subjects photographed by Manuel Alvarez Bravo

Description

Manuel Alvarez Bravo sought to represent the viewpoint of Mexico’s Indigenous cultural heritage and its peasants as he chronicled their encounter with the country’s rapid modernization. His work is often considered Surrealist, but he never formally identified with that art movement. The odd juxtapositions, occasional humor, and quixotic viewpoint of his images may derive from growing up in a culture that contains both Indigenous and European traditions.
A horizontally oriented black-and-white photograph depicts a brickyard. In the foreground, rows of drying bricks and stacked walls are spread across the ground. A large kiln on the left emits a massive plume of dark smoke that drifts across the sky. A small silhouette stands atop the kiln. In the background, another structure and a lone animal occupy the flat plains stretching toward the horizon.

La quema

1957, printed 1974

Manuel Álvarez Bravo

(Mexican, 1902–2002)
Mexico

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