Artwork Page for Container from Lit Charcoal and Ash Containers

Details / Information for Container from Lit Charcoal and Ash Containers

Container from Lit Charcoal and Ash Containers

1893–1914
Measurements
Overall: 10 x 12 cm (3 15/16 x 4 3/4 in.)
Public Domain
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Location
Not on view
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Did You Know?

The Seifu studio generally followed the standard practice in Japan for identifying the artist and object in box inscriptions.

Description

The box lid for these six-lobed lit charcoal and ash containers, or hiire, identifies them as kōhakuji, another of Yohei III’s translucent cream colors over ivory clay bodies. One might translate the name as “lustrous pearl[–glazed ivory] porcelain.” A hiire was filled with ash with burnt coals at the center so that embers and tobacco ash could be discarded safely during a gathering. Each of the lobes on the containers has a round protrusion set below the rim. The studlike pattern is called ruiza. The term is also used to describe the pattern that rings the shoulder of some flower vases or metal kettles used in chanoyu.
A cream-glazed porcelain jar features a bulbous, rounded body tapering toward a flat base. Vertical ridges striate the exterior into symmetrical segments. Near the wide mouth, small circular bosses punctuate the top of each section. The smooth, glossy finish reflects light across the ivory surface, highlighting the vessel's rhythmic geometry.

Container from Lit Charcoal and Ash Containers

1893–1914

Seifū Yohei III

(Japanese, 1851–1914)
Japan, Meiji period (1868–1912)

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