Blue Rational/Irrational

1969
(American, 1935–2005)
147 x 322.5 cm (57 7/8 x 126 15/16 in.)
© The Estate of Al Loving and Garth Greenan Gallery, New York
This artwork is known to be under copyright.

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This work debuted in Al Loving: Paintings (1969) at the Whitney Museum, the museum’s first solo exhibition by an African American artist.

Description

Across both canvases of this large-scale diptych, Loving evokes a three-dimensional space on a two-dimensional surface through strategic layerings of cubic forms and carefully calibrated color juxtapositions. Around the time Loving made this work he wrote, “I am tired of objects on walls. The wall must be pierced, brought forward, pushed back.” Blue Rational/Irrational is a bold manifestation of this sentiment.
Blue Rational/Irrational

Blue Rational/Irrational

1969

Al Loving

(American, 1935–2005)
America

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Young, Gifted and Black: A New Generation of Artists
Young, Gifted and Black: A New Generation of Artists
Antwaun SargentWhat's new, now and next from contemporary Black artistsThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director, and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted, and Black in contemporary art.192 pagesFirst published September 29, 2020

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