Satisfied Man
2015
Kerry James Marshall
(American, b. 1955)
America
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The Ecstasy of Saint Kara: Kara Walker, New York
By Reto Thüring, Beau Rutland, Kara Walker, John Lansdowne, Tracy K. Smith Photos by Ari Marcopoulos Over the past two decades, Kara Walker has relentlessly examined racial injustice in the United States both past and present. The Ecstasy of St. Kara debuts Walker’s most recent artworks, a series of large-scale drawings on paper. Stemming from her time at an artist’s residency in Rome, the new works echo that city’s long and tumultuous history––its complicated layering of cultures, traditions, and religions, especially Christianity. The new drawings question the notion of history itself, and examine how Walker envisions the rise and fall of society. Richly illustrated, this publication includes plates of each drawing as well as intimate photographs of the artist at work taken by her partner, acclaimed artist and filmmaker Ari Marcopoulos. An introduction by Reto Thüring and Beau Rutland contextualizes the importance of this latest evolution within Walker’s oeuvre; John Lansdowne addresses the topic of Christian iconography and its relationship to Walker’s new drawings; and Pulitzer Prize–winning poet Tracy K. Smith contributes a new poem. In addition, a text by Walker considers her work within the recent political climate." 80 pages Published 2016
The Black Index
by Bridget R Cooks (Editor), Sarah Watson (Editor)The artists featured in The Black Index—Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information. 128 pagesPublished November 2nd, 2021
African American Art 2025 Wall Calendar
African American artists have made monumental contributions to the world of art, producing an influential body of work informed by the Black experience. Celebrated here is the art of Emma Amos, Grafton Tyler Brown, Keshida Layone, Loïs Mailou Jones, Whitfield Lovell, Dominique Ramsey, Charles White, Laura James, Charles Ethan Porter, Romare Bearden, Laura Wheeler Waring, and Aaron Douglas—some of whom are very well known and others who aren’t but should be. Working in diverse styles, techniques, and media, many of these artists have created memorable images laced with social commentary, cultural affirmation, myth and history, and simple love for people in all their beauty, folly, and nobility. Others have discarded the constraints of representational imagery for a semi-abstracted language that challenges viewers to consider the familiar and the unknown from new perspectives. Twelve superb works of art have been selected for this calendar.
Young, Gifted and Black: A New Generation of Artists
Antwaun SargentWhat's new, now and next from contemporary Black artistsThis book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director, and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted, and Black in contemporary art.192 pagesFirst published September 29, 2020
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