The front of a vertically oriented manuscript page features fourteen rows of calligraphic script within a central rectangle on aged, tan paper. A narrow top section contains one line of gold script above thirteen lines of black ink. Thin gold and blue borders frame the text block. Dark brown water stains mark the top edge, and a faint silhouette of a figure appears in the wide left margin.

An Indian family in Great Britain, whose grandfather brought the manuscript to England in the 1930s or 1940s

(Oliver Forge and Brendan Lynch Ltd., London, England, sold to the Cleveland Museum of Art)

The Cleveland Museum of Art, Cleveland, OH

Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Animals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s)

Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Mughal India, Allahabad, made for Prince Salim

Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

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Details / Information for Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Mughal India, Allahabad, made for Prince Salim

Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

See Also

Visually Similar by AI

Contact Us