Artwork Page for Four Stories in Black and White: Plate 16

Details / Information for Four Stories in Black and White: Plate 16

Four Stories in Black and White: Plate 16

1926
(Czech, 1871–1957)
Medium
woodcut
Support
Wove paper
Measurements
Sheet: 33 x 25 cm (13 x 9 13/16 in.); Image: 20.4 x 15.5 cm (8 1/16 x 6 1/8 in.)
Credit Line
Edition
300 (100 numbered 1-100 signed by the artist, with extra suite of first state woodcuts; 200 numbered 101-300)
Impression
207
Copyright
© Artists Rights Society (ARS), New York
This artwork is known to be under copyright.
Location
Not on view

Description

Frantisek Kupka was a Bohemian painter and graphic artist who worked primarily in France. Kupka was influenced in his early work by a pre-occupation with the occult and spiritualist ideas which he incorporated within art nouveau-inspired compositions similar to Kandinsky's work in the first decade of the twentieth century. Around 1910, Kupka began to evolve his own form of non-objective art which incorporated both lyrical curvilinear forms and strong architectonic geometrical elements. He was among the first European artists to develop a purely abstract style. The woodcuts in this set display the full range of his mature style, dramatically rendered in black and white. This is the first work on paper by Kupka to enter the Museum's collection and it is a marvelous complement to the 1910-11 Kupka painting owned by the Museum.
A vertically oriented print in black ink depicts a dense abstract composition of interlocking jagged and curved forms. A solid black triangle anchors the upper center, framed by sweeping bands. Intricate textures fill the frame, including radiating petal-like patterns in the lower left and vertical wood-grain lines on the right. Sharp, high-contrast edges and rhythmic mark-making create a sense of movement throughout the page.

Four Stories in Black and White: Plate 16

1926

Frantisek Kupka

(Czech, 1871–1957)
Czechoslovakia, 20th century

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