Artwork Page for Four Stories in Black and White: Plate 14

Details / Information for Four Stories in Black and White: Plate 14

Four Stories in Black and White: Plate 14

1926
(Czech, 1871–1957)
Medium
woodcut
Support
Wove paper
Measurements
Sheet: 33 x 25 cm (13 x 9 13/16 in.); Image: 20.4 x 15.4 cm (8 1/16 x 6 1/16 in.)
Credit Line
Edition
300 (100 numbered 1-100 signed by the artist, with extra suite of first state woodcuts; 200 numbered 101-300)
Impression
207
Copyright
© Artists Rights Society (ARS), New York
This artwork is known to be under copyright.
Location
Not on view

Description

Frantisek Kupka was a Bohemian painter and graphic artist who worked primarily in France. Kupka was influenced in his early work by a pre-occupation with the occult and spiritualist ideas which he incorporated within art nouveau-inspired compositions similar to Kandinsky's work in the first decade of the twentieth century. Around 1910, Kupka began to evolve his own form of non-objective art which incorporated both lyrical curvilinear forms and strong architectonic geometrical elements. He was among the first European artists to develop a purely abstract style. The woodcuts in this set display the full range of his mature style, dramatically rendered in black and white. This is the first work on paper by Kupka to enter the Museum's collection and it is a marvelous complement to the 1910-11 Kupka painting owned by the Museum.
A vertically oriented woodcut print features two massive, grainy white pillars framing a central black void. Thin white lines form a cluster of three interlocking triangles within this dark space. At the base, jagged white lines crisscross in a geometric pattern to create an angular, textured floor. This high-contrast composition emphasizes the rough, splintered texture of the white forms against the solid black background, printed on off-white paper.

Four Stories in Black and White: Plate 14

1926

Frantisek Kupka

(Czech, 1871–1957)
Czechoslovakia, 20th century

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