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Study for the Head of St. Michael

1633
(Italian, 1596–1669)
Italy, 17th century
black chalk
Support: Beige(1) laid paper, perimeter mounted to cream(3) laid paper
Sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.); Secondary Support: 31.9 x 27.6 cm (12 9/16 x 10 7/8 in.)
Leonard C. Hanna Jr. Fund 1996.257
Location: not on view
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Did You Know?

The fresco for which this drawing was made as a preparatory study joins works of art by Peter Paul Rubens as well as relics of the Saint Philip Neri in the Chiesa Nuova in Rome.

Description

Pietro da Cortona drew this angelically beautiful face in a style reminiscent of the work of Renaissance master Raphael (1483–1520). Cortona's use of black chalk to develop extremely subtle effects of shading shows the technique at its most refined. He drew this sheet in preparation for a ceiling decoration, Saint Michael and Angels with the Instruments of the Passion, painted in fresco in the church of Santa Maria in Vallicella (better known as the Chiesa Nuova, or "New Church") in Rome, completed in 1633.
Study for the Head of St. Michael

Study for the Head of St. Michael

1633

Pietro da Cortona

(Italian, 1596–1669)
Italy, 17th century

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