Scenes of Witchcraft: Night

c. 1645–1649

Salvator Rosa

(Italian, 1615–1673)

Italy, 17th century

oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Purchase from the J. H. Wade Fund 1977.37.4

Location: 217 Italian Baroque

You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Did You Know?

The artist chose the painting's shape to reference the foundational role of the circle in practicing magic.

Description

In the pitch black of night, two groups of men are gathered in a forest. To the left, travelers apprehensively pause to watch a magician conjure terrifying apparitions. Since the Middle Ages, necromancy, the act of communing with the dead, was associated with male sorcerers. In Rosa's painting, the wizened necromancer who stands tall and resolute directly below a classical column is reminiscent of Moses, a predecessor to Renaissance depictions of sorcerers. Rosa's learned magicians not only invoke associations with philosophers and intellects, but they would have also referred to the artist himself and the intellectual elite with whom he associated in Florence. Just as a powerful magician could conjure strange creatures with his wand, so too could Rosa shape a strange world with his originality, intelligence, and the skillful use of paint and brush.