Roses in a Vase
c. 1890
Pierre-Auguste Renoir
(French, 1841–1919)
France, 19th century
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The Apple Seller Poster
Pierre-Auguste Renoir (French, 1841-1919) his painting depicts a young country girl offering apples to Renoir's wife, Aline. The boy in the straw hat may be the artist's nephew, Edmond, but the young girl with the ribbon in her hair has not been identified. Bathed in soft, dappled sunlight, the figures are united through the fluid brushstrokes that cover the canvas. The leaping dog provides an accent of humor and motion in an otherwise tranquil scene. The picture was probably completed at Essoyes, in eastern France. Size: 32" x 24"
Degas and the Laundress: Women, Work, and Impressionism
by Britany Salsbury, Associate Curator of Prints and Drawings, The Cleveland Museum of Art, with contributions from Richard Thomson, Professor in History of Art, History of Art, Edinburgh College of Art, Aleksandra Bursac, PhD Candidate, University of Toronto, Claire White, Fellow, Director Studies, Girton College, Cambridge, and Gretchen Schultz, Professor, French and Francophone Studies, Brown University Degas and the Laundress: Women, Work, and Impressionism is the first publication to explore Impressionist artist Edgar Degas’s representations of Parisian laundresses. These working-class women were a visible presence in the city, while washing, ironing, or carrying heavy baskets of clothing. Their job was among the most difficult, dangerous, and poorly paid at the time, forcing some to supplement their income through prostitution. The industry fascinated Degas throughout his long career, beginning in the 1850s and continuing until his final decade of work. The artworks from this series—revolutionary in their emphasis on women’s work, the strenuousness of such labor, and social class—were featured in Degas’s most significant exhibitions and praised by critics as epitomizing modernity. This richly illustrated publication accompanies an exhibition that contextualizes Degas’s series with paintings, drawings, and prints by his contemporaries—including Gustave Caillebotte, Berthe Morisot, Pierre-Auguste Renoir, and Henri de Toulouse-Lautrec—as well as artists that he influenced and was influenced by, from Honoré Daumier to Pablo Picasso. Essays by an interdisciplinary range of scholars of art history, literature, and history examine major themes from the exhibition, revealing the widespread interest that Parisians of all social classes had in the topic of laundresses during the late nineteenth century. 242 pagesOctober 2023
Renoir Women with Parasol Recycled Bag
In 1869 Renoir and Claude Monet worked together to create the first landscape paintings in the impressionist style, quickly capturing the effect of the light. Pierre Renoir rarely used blacks or browns. Shadows were not black or brown, but instead a reflection of the objects themselves – multicolored. Like Renoir, be in the right place at the right time with this recycled tote bag and capture the moment. © Museo Nacional Thyssen-Bornemisza
Sharing with Renoir
by Julie Merberg, Suzanne BoberSet against the backdrop of well-known works by the artist, Auguste Renoir, rhyming text tells a story from the artwork. 22 pagesPublished April 28th 2005
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