Bathers Playing with a Crab
c. 1897
Pierre-Auguste Renoir
(French, 1841–1919)
France, 19th century
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Auguste Renoir - Mademoiselle Romaine Lacaux
This painting is possibly Renoir's earliest signed picture. Its sensitive depiction of color and light conveys an ideal of delicate, youthful beauty. The luminous tones of the background and the child's white blouse are the result of the artist's careful observation of light and color reflections on translucent materials. The delicate nuances of color, especially in the girl's face, reveal Renoir's earlier training as a decorator of porcelain. © Artothek
Renoir Women with Parasol Recycled Bag
In 1869 Renoir and Claude Monet worked together to create the first landscape paintings in the impressionist style, quickly capturing the effect of the light. Pierre Renoir rarely used blacks or browns. Shadows were not black or brown, but instead a reflection of the objects themselves – multicolored. Like Renoir, be in the right place at the right time with this recycled tote bag and capture the moment. © Museo Nacional Thyssen-Bornemisza
Artist Series - Quilled Spring Bouquet, Renoir Greeting Card
Spring Bouquet by Pierre-Auguste Renoir is a still life in oil paints created in 1866. An elaborate bouquet of summer flowers erupts from a Japanese willow-patterned vase atop paving stones. This was one of Renoir’s early works before his impressionist technique had fully evolved. The Artist Series artfully transforms paint strokes into paper strips using the ancient art of quilling. Each card takes several hours to make and reimagines a famous work of art into a magnificent greeting card that can either be sent and shared with loved ones or kept and framed as the work of art it is.
Degas and the Laundress: Women, Work, and Impressionism
by Britany Salsbury, Associate Curator of Prints and Drawings, The Cleveland Museum of Art, with contributions from Richard Thomson, Professor in History of Art, History of Art, Edinburgh College of Art, Aleksandra Bursac, PhD Candidate, University of Toronto, Claire White, Fellow, Director Studies, Girton College, Cambridge, and Gretchen Schultz, Professor, French and Francophone Studies, Brown University Degas and the Laundress: Women, Work, and Impressionism is the first publication to explore Impressionist artist Edgar Degas’s representations of Parisian laundresses. These working-class women were a visible presence in the city, while washing, ironing, or carrying heavy baskets of clothing. Their job was among the most difficult, dangerous, and poorly paid at the time, forcing some to supplement their income through prostitution. The industry fascinated Degas throughout his long career, beginning in the 1850s and continuing until his final decade of work. The artworks from this series—revolutionary in their emphasis on women’s work, the strenuousness of such labor, and social class—were featured in Degas’s most significant exhibitions and praised by critics as epitomizing modernity. This richly illustrated publication accompanies an exhibition that contextualizes Degas’s series with paintings, drawings, and prints by his contemporaries—including Gustave Caillebotte, Berthe Morisot, Pierre-Auguste Renoir, and Henri de Toulouse-Lautrec—as well as artists that he influenced and was influenced by, from Honoré Daumier to Pablo Picasso. Essays by an interdisciplinary range of scholars of art history, literature, and history examine major themes from the exhibition, revealing the widespread interest that Parisians of all social classes had in the topic of laundresses during the late nineteenth century. 242 pagesOctober 2023
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