The Passion: Christ Bearing the Cross

c. 1480
(German, c.1450–1491)
Catalogue raisonné: Lehrs V.147.26
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Did You Know?

Veronica's veil, or the sudarium, retained an imprint of Christ's face and was believed in the late Middle Ages to have the power to self-replicate each time it came into contact with other clothes.

Description

Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life. Schongauer's version focuses on crowded scenes, grotesque physiognomies of Christ's tormentors, and great pathos in the compositions. Here, a long procession exits the city gate of Jerusalem. Christ, at the center, is weighed down by the heavy cross which he must carry to Calvary. On the left, the Virgin Mary cries for the imminent death of her son, while Veronica holds the sudarium, used to wipe his sweat and blood, and imprinted with his face.
The Passion: Christ Bearing the Cross

The Passion: Christ Bearing the Cross

c. 1480

Martin Schongauer

(German, c.1450–1491)
Germany, 15th century

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.