Sanjo Kantaro as a Young Woman Standing in a Wisteria Arbor

c. early or mid 1730s

Torii Kiyonobu I 鳥居 清信

(Japanese, 1664–1729)
Sheet: 29.8 x 15.2 cm (11 3/4 x 6 in.)
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Description

This rare, hand-colored print incorporates a technique called urushi-e, literally "lacquer picture," in which the artist paints deer glue over areas of black pigment, producing a lustrous effect reminiscent of lacquer. Metal filings were sometimes sprinkled onto the pigment for decorative effect. Kiyonobu’s prints are characteristically hand-colored and outlined in black. Inspired by a family tradition of painters of Kabuki posters, Kiyonobu created prints mainly of actors and scenes from plays.
Sanjo Kantaro as a Young Woman Standing in a Wisteria Arbor

Sanjo Kantaro as a Young Woman Standing in a Wisteria Arbor

c. early or mid 1730s

Torii Kiyonobu I

(Japanese, 1664–1729)
Japan, Edo period (1615-1868)

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.