The Cleveland Museum of Art
Collection Online as of March 29, 2024
Portrait of Carl Philipp Fohr
1818
(German, born Switzerland, 1791–1849)
after Carl Barth
(German, 1787–1853)
Sheet: 14.5 x 11.4 cm (5 11/16 x 4 1/2 in.)
Gift of Margaret and Peter Dobbins 2018.305
Location: not on view
Did You Know?
This print was made to commemorate the friendship between the two artists who made it, and the sitter, who had drowned while swimming in the Tiber River in Rome.Description
This print was made by two artists as a memorial to their friend—a fellow German artist—who drowned while swimming in the Tiber River in Rome. Such “friendship portraits” were common in the early nineteenth century, especially among artists who lived or worked together as they traveled through Europe. Samuel Amsler used the technique of engraving to refer to Germany’s distinguished history in that medium, and he also clothed his friend in Renaissance garb. Such connections to the past were aspects of the Romantic ideal shared by the artists.- John S. Phillips, Philadelphia, PA1876-1985Pennsylvania Academy of Fine Arts, Philadelphia, PA1985-2017Philadelphia Museum of Art, Philadelphia, PA2017-2018C.G. Boerner, New York, NYDecember 3, 2018the Cleveland Museum of Art, Cleveland, OH
- Meyer, Julius, ed. Nagler, G. K. Allgemeines Künstler-Lexikon: Unter Mitwirkung der namhaftesten Fachgelehrten des In- un Auslandes. Leipzig: Wilhelm Engelmann, vol. 1 (1872) no. 23Apell, Aloys. Handbuch für Kupferstichsammler ; oder. Lexicon der vorzüglichsten Kupferstecher des XIX. Jahrhunderts welche in Linienmanier gearbeitet habèn, sowie Beschreibung ihrer besten und gesuchtesten Blätter. [Walluf bei Wiesbaden]: M. Sändig, 1972. no. 29Seeliger, Stephan, and Norbert Suhr. Unter Glas un Rahmen: Druckgraphik der Romantik aus den Beständen des Landesmuseums Mainz und aus Privatbesitz. Exh. Cat., Landesmuseum Mainz, 1993 no. 1Griffiths, Antony, and Frances Carey. German Printmaking in the Age of Goethe. London: Published for the Trustees of the British Museum by British Museum Press, 1994. no. 120Bartrum, Giulia, Günter Grass, Joseph Leo Koerner, and Ute Kuhlemann. Albrecht Dürer and His Legacy: The Graphic Work of a Renaissance Artist. London: British Museum, 2002. p. 46, no. 261Schroedter, Beate. ---den lebensgross gezeichnet und vermessen stehst Du im Künstlerbuch: Porträts deutscher Künstler in Rom zur Zeit der Romantik. Exh. Cat. Winckelmann-Museum, Stendal, 2008 no. VIII.44Bartrum, Giulia. German Romantic Prints and Drawings: From an English Private Collection. London: Contemporary Editions, 2011. p. 46, fig. 12Philadelphia Museum of Art, John W. Ittmann, Cordula Grewe, Warren Breckman, Mitchell Benjamin Frank, Catriona MacLeod, and F. Carlo Schmid. The Enchanted World of German Romantic Prints, 1770-1850. 2017. no. 5, p. 194, fig. 162
- {{cite web|title=Portrait of Carl Philipp Fohr|url=false|author=Samuel Amsler, Carl Barth|year=1818|access-date=29 March 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/2018.305