The Cleveland Museum of Art

Collection Online as of April 20, 2024

The Intermediate--Naturalized Klangkoerper

The Intermediate--Naturalized Klangkoerper

2016
Location: not on view

Description

The Intermediate – Naturalized Klangkoerper uses contemporary mass-produced materials—in the “readymade” tradition of modernist art—to conjure folklore and history from the artist’s native South Korea. Its anthropomorphic straw form is suggestive of Korean straw dolls popular in folklore rituals, and the bells integrated throughout the work evoke Korean shaman rituals in which the shaman, almost exclusively women in the Joseon dynasty (1392-1910), would ring bronze bells to communicate with the spiritual world.
  • 2016–?
    Collection of the artist
    ?–2018
    (Greene Naftali Gallery, New York, NY, sold to the Cleveland Museum of Art)
    June 5, 2018–
    The Cleveland Museum of Art, Cleveland, OH
  • Smith, Roberta. “Haegue Yang.” The New York Times. April 1, 2016: C21
    Lemos, Sofia. “Haegue Yang’s ‘Quasi-ESP.’” Art Agenda (December 1, 1997).
    Vergara, Leire. "Haegue Yang: Untimely Histories." Afterall Autumn/Winter 2013. P. 101-107
    Voon, Claire. “At the Montreal Biennial, Lessons in How to Look.” Hyperallergic (November 7, 2016). hyperallergic.com
    Dziewior, Yilmaz, ed. Haegue Yang: ETA 1994-2018. exh. cat. Cologne: Museum Ludwig, 2018. Reproduced and mentioned: p. 293, cat. 1187
    Liebert, Emily. “Acquisitions 2018: Contemporary Art.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 59, no. 2 (March/April 2019): 18-19. Reproduced: P. 18; Mentioned: P. 18, 19.
  • Creating Urgency: Modern and Contemporary Korean Art (Korean art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).
  • {{cite web|title=The Intermediate--Naturalized Klangkoerper|url=false|author=Haegue Yang|year=2016|access-date=20 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2018.29