The Cleveland Museum of Art
Collection Online as of April 18, 2024
Untitled (Pifferari)
c. 1851–55
Image: 24.9 x 25.4 cm (9 13/16 x 10 in.); Matted: 55.9 x 45.7 cm (22 x 18 in.)
John L. Severance Fund 1995.234
Location: not on view
Description
Taken to catalogue and document cultural practices, both of these photographs were intended as portraits of professions or ethnographic types rather than portraits of individuals. Hart’s image was part of his subscription series Universal Gallery of Peoples, which sought “to reproduce through photography the national costumes that are disappearing rapidly before the advance of civilization, to preserve for people the flavor, and for artists the memory of what once was beautiful and picturesque.” An unidentified photographer captured the picturesque pifferari, country musicians who wandered European cities around Christmas playing before images of the Virgin and on the streets. They were a common theme for French and Italian painters and photographers in the 1840s and 1850s.- (Charles Isaacs Photographs, Inc., New York, NY)December 4, 1995The Cleveland Museum of Art, Cleveland, OH
- Cleveland Museum of Art, Tom E Hinson. Catalogue of Photography. Cleveland, OH: Cleveland Museum of Art, 1996. Reproduced: P. 365
- Cheating Death: Portrait Photography’s First Half Century. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 22, 2016-February 5, 2017).Legacy of Light: Master Photographs from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 24, 1996-February 2, 1997).
- {{cite web|title=Untitled (Pifferari)|url=false|author=|year=c. 1851–55|access-date=18 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1995.234