The Cleveland Museum of Art
Collection Online as of April 19, 2024
Confrontation on the Bridge
1975
(American, 1917–2000)
Sheet: 49.5 x 66 cm (19 1/2 x 26 in.)
© The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Catalogue raisonné: Nesbett L75-2
Location: not on view
Description
When Jacob Lawrence was commissioned to execute a print to celebrate the United States' bicentennial in 1976, he illustrated the March 7, 1965, march by unarmed protesters objecting to the denial of African Americans' right to vote. The march began in Selma, Alabama, but before the 600 protesters could reach the state capital in Montgomery, law enforcement officials attacked them with clubs and tear gas as they crossed the Edmund Pettus Bridge; Lawrence symbolized the malicious and brutal attack by including the vicious dog at the left edge of the scene. Two days later, with court protection, Martin Luther King Jr. led now 25,000 marchers to Montgomery. Outraged by the barbarity of the civil rights struggle, the U.S. Congress passed and President Lyndon Johnson signed the Voting Rights Act later that year. Lawrence's strong colors and compact composition relay the intensity and injustice of the violence inflicted on the peaceful protesters.- Julie Mehretu: Portals (FRONT International: Oh, Gods of Dust and Rainbows). The Cleveland Museum of Art, Cleveland, OH (organizer) (July 16-November 13, 2022).Our Stories: African American Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-May 18, 2014).
- {{cite web|title=Confrontation on the Bridge|url=false|author=Jacob Lawrence|year=1975|access-date=19 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1994.17