The Cleveland Museum of Art

Collection Online as of April 19, 2024

The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night

The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night

c. 1560
Painting only: 7.4 x 10.2 cm (2 15/16 x 4 in.); Overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.)
Location: not on view

Did You Know?

The replica parrot is denoted by its lack of pupils.

Description

The wife of the vizier’s son is having an affair with the monk, who is seated on tiger skins and wearing the blue robes of a dervish. Because he is a charlatan, he is able to recognize the deception taking place.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 78, 109
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 313 www.jstor.org
  • {{cite web|title=The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night|url=false|author=Lalu|year=c. 1560|access-date=19 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.83.b