The Cleveland Museum of Art

Collection Online as of April 19, 2024

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.1 x 10.3 cm (4 x 4 1/16 in.)
Location: not on view

Did You Know?

The prince’s undone turban, loose hair, and bound wrists indicate his ordeal.

Description

This early Mughal court scene is the last of the series in which the handmaiden lies about how the prince raped her, and she threatens to burn herself to death if he is not executed. She is depicted in the lower right of the composition. The seventh vizier in the green robe demanded that the prince be brought to the assembly, and he is led in, bound, his turban in disarray.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. 
    p. 106
    Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 78, 106
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 312
  • Main Asian Rotation (Gallery 245); December 31, 2013 - June 30, 2014.
  • {{cite web|title=The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night|url=false|author=Lalu|year=c. 1560|access-date=19 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.71.b