The Cleveland Museum of Art
Collection Online as of March 24, 2024
The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)
c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.3 x 10 cm (3 11/16 x 3 15/16 in.)
Gift of Mrs. A. Dean Perry 1962.279.47.b
Location: not on view
Did You Know?
The advanced age of the old man is signaled by his black and white beard.Description
A destitute Brahman peers into an open pit. At the bottom, he sees a beautiful woman and her elderly lover, who has stoked the fire beneath the cauldron for nearly eighty years. She gives the Brahman two gold bracelets, which he holds in each hand. The pit is represented in cross-section, allowing the viewers to see the action inside.- ?–1959Estate of Breckinridge Long [1881–1958], Bowie, MD1959–1962?(Harry Burke Antiques, Philadelphia, PA)1959?–1962(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)1962–The Cleveland Museum of Art, Cleveland, OH
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. p. 96Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 310 www.jstor.org
- Main gallery rotation (Gallery 245): November 2, 2015 - April 4, 2016.
- {{cite web|title=The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)|url=false|author=|year=c. 1560|access-date=24 March 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1962.279.47.b