The Cleveland Museum of Art

Collection Online as of April 24, 2024

The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night

The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night

c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 13.3 x 9.9 cm (5 1/4 x 3 7/8 in.)
Location: not on view

Did You Know?

This painting was likely done by the same artist who made folios 20r (1962.279.20.a), 30r (1962.279.30.a), and 46v (1962.279.46.b).

Description

The vizier advised the king that he should tell the dervish that he must bring the head of the King of Kings before he will give his daughter in marriage to him. The dervish then went to the King of Kings with his plight, who said that he would go himself to the local king, and bring him his head still attached to his body. At the bottom of the composition is a formal garden with leafy groundcover and canals of water. The composition has been altered, as there was an oval of gold beneath the central pool of water and orange tiles under the architectural pavilions on the roof. The strip of blue with delicate floral arabesque was added in accordance with a taste for more updated Persian styles.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
    Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. p. 95
    Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 79, 95
    Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. p. 95
  • Main gallery rotation (Gallery 245): November 2, 2015 - April 4, 2016.
    Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).
  • {{cite web|title=The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night|url=false|author=|year=c. 1560|access-date=24 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.46.a