The Cleveland Museum of Art

Collection Online as of April 24, 2024

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

c. 1560

attributed to Basavana

(Indian, active c. 1560–1600)
Overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.); Painting only: 10.6 x 10.2 cm (4 3/16 x 4 in.)
Location: not on view

Did You Know?

The pink leaves are new shoots that have not yet turned green.

Description

Despite the chess-playing monkey’s grim end, the baby parrots continued to cavort with the fox cubs. One day the mother fox discovered that her cubs had been eaten by a panther. Blaming the parrots, she lured a hunter to their tree. The hunter climbed the tree and ensnared the mother parrot and her babies. The mother instructed her young to play dead, then pleaded with the hunter to take her alone, saying that since she knew the art of healing she would fetch a high price. Lush vegetation and a stream of water painted with a soft brush indicate a fresh new stylistic vision that represents a departure from Indian and Persian styles that came before.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 78, 91
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 310 www.jstor.org
  • Art and Stories from Mughal India. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 31-October 23, 2016).
    Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).
    Indian Minature Rotation (Gallery 115); August 18, 2004 -
    Indian Miniature Rotation (Gallery 115); August 13, 2003 - February 18, 2004.
  • {{cite web|title=The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night|url=false|author=Basavana|year=c. 1560|access-date=24 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.35.a