The Cleveland Museum of Art

Collection Online as of April 19, 2024

Still Life with Birds and Fruit

Still Life with Birds and Fruit

c. 1650
Location: not on view

Did You Know?

Giovanna Garzoni was one of just a few women artists to rise to prominence in Italy in the 1600s.

Description

Garzoni was one of the few women artists to achieve prominence in Italy during the 1600s. She garnered fame with her naturalistic still lifes on vellum, which combined scientific accuracy with sensitive artistry. Here, three small goldfinches on fruit branches and a larger bee-eater are dispersed across an earth-toned ground. The goldfinches sit on branches from which hang two plums (left), a peach (center), and a pear (right). A yellow quince and purple fig appear in the left foreground. Garzoni’s refined interpretations of the natural world suited the taste of aristocratic patrons like the Medici family, who acquired her drawings to decorate their villas.
  • ?-1954
    Elma M. Schniewind [1875-1954], Cleveland, OH
    March 10, 1955
    The Cleveland Museum of Art, Cleveland, OH
  • Bacci, Mina, "Jacopo Ligozzi e la Sua Posizione Nella Pittura Fiorentina," Proporzioni Vol. IV (1963): pp. 53, 77, under no. 20, fig. 5 (as Jacopo Ligozzi)
    Palazzo reale (Naples, Italy). La Natura morta italiana. Milano: Alfieri & Lacroix, 1964. p. 28, under no. 17
    Columbia University, and Joan Nissman. Florentine Baroque Art from American Collections. 1969. no. 36, pp. 42-42, fig. 18
    Harris, Ann Sutherland, and Linda Nochlin. Women Artists, 1550-1950. Los Angeles: Los Angeles County Museum of Art, 1976. no. 21, p. 136
    Ciardi, Roberto Paolo, and Lucia Tongiorgi Tomasi. Immagini anatomiche e naturalistiche nei disegni degli Uffizi, secc. XVI e XVII. Firenze: L.S. Olschki, 1984. p. 64
    Fondazione Palazzo Strozzi (Florence, Italy), and Comitato Raffaello e Seicento fiorentino. Il Seicento fiorentino: arte a Firenze da Ferdinando I a Cosimo III : Palazzo Strozzi 21 dicembre 1986/4 maggio 1987. Firenze: Cantini, 1986. p. 459, under no. 1.259
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    Caffi, Margherita, Gianluca Bocchi, and Ulisse Bocchi. Margherita Caffi e l'atelier dei Vicenzini. 2022. Mentioned: p. 17, p.34 note 40; reproduced: p. 41, VV.4a
    Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen. Making Her Mark: A History of Women Artists in Europe, 1400-1800. Fredericton, New Brunswick : Goose Lane Editions ; Toronto, Ontario : AGO ; Baltimore, Maryland : Baltimore Museum of Art, 2023. Mentioned, pp. 109, 226, illus. (detail), p. 109, fig. 3, cat. 155, p. 227, illus., p. 227
  • Making Her Mark: A History of Women Artists in Europe, 1400-1800. The Baltimore Museum of Art, Baltimore, MD (co-organizer) (October 1, 2023-January 7, 2024) https://artbma.org/exhibition/making-her-mark-a-history-of-women-artists-in-europe-1400-1800; Art Gallery of Ontario, Ontario M5T 1G4, Canada (organizer) (co-organizer) (March 27-July 1, 2024) https://ago.ca/exhibitions/making-her-mark-history-women-artists-europe-1400-1800.
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    The Flowering of Florence: Botanical Art for the Medici, 1550-1750. National Gallery of Art (organizer) (March 3-May 27, 2002).
    Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000); The Morgan Library & Museum, New York, NY (May 23-August 19, 2001); Museum of Fine Arts, Houston, Houston, TX (October 14, 2001-January 6, 2002).
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    Women Artists, 1550 - 1950. Los Angeles County Museum of Art, Los Angeles, CA (organizer) (December 21, 1976-March 13, 1977); Blanton Museum of Art, The University of Texas at Austin, Austin, TX (April 12-June 12, 1977); Carnegie Institute, Pittsburgh, PA (July 14-September 4, 1977); The Brooklyn Museum, Brooklyn, NY (October 1-November 27, 1977).
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  • {{cite web|title=Still Life with Birds and Fruit|url=false|author=Giovanna Garzoni|year=c. 1650|access-date=19 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1955.140