The Cleveland Museum of Art
Collection Online as of March 28, 2024
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)
c. 470–460 BCE
attributed to Cleveland Painter
(name vase; Greek, Attic, active c. 470–460 BCE)
Overall: 56.5 cm (22 1/4 in.)
Purchase from the J. H. Wade Fund 1930.104
Location: 102B Greek
Did You Know?
The revelers on this vessel dance to the music of the barbiton, a stringed instrument associated with leisure and luxury.Description
Since this column-krater is the most important of 12 vases painted by a Greek artist whose name is unknown, the great English vase expert, Sir John D. Beazley, named him (or her) the Cleveland Painter, after our city. Other vases by the Cleveland Painter are now in New York, Vienna, Paris, and Copenhagen, as well as museums in Greece and Italy. The chariot scene on the main side of the vessel is a divine one, as indicated by the presence of Apollo, identified by his lyre and laurel wreath. With him are three goddesses, probably his sister Artemis (facing him), together with Hera (wearing a crown and holding a scepter and libation dish), and Hebe, the daughter of Zeus and Hera, on her way to meet her future husband, Herakles.- ?-1929Dr. Jacob Hirsch, New York, NY, sold to the Cleveland Museum of Art1930-The Cleveland Museum of Art, Cleveland, OH
- Beazley Archive. n.d. Beazley Archive Pottery Database. Oxford: Beazley Archive. BAPD 205789 www.beazley.ox.ac.uk. H. "Greek Vases." The Bulletin of the Cleveland Museum of Art 17, no. 7 (1930) pp. 137-138, 143 www.jstor.orgBeazley, J. D. Attic Red-Figure Vase-Painters, 2nd ed. Oxford: Clarendon Press, 1963. p. 516, no. 1 (name-vase)The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 20 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 20 archive.orgBoulter, C. G., Jenifer Neils, and Gisela Walberg. Corpus Vasorum Antiquorum. Princeton, N.J.: Princeton University Press, 1971. p. 16, plates 23-24 www.beazley.ox.ac.ukAdams, Celeste, Jay Gates, and Gabriel P. Weisberg. "The Art Museum and the High School: The Advanced Placement Approach to the History of Art." Art Journal 35, no. 1 (1975) pp. 33-36 www.jstor.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 23 archive.orgArt Institute of Chicago, Warren G. Moon, and Louise Berge. Greek Vase-Painting in Midwestern Collections: [Exhibition Catalog]. Chicago: Art Institute of Chicago, 1980. p. 175, no. 99Burn, Lucilla, Ruth Glynn, and J. D. Beazley. Beazley Addenda: Additional References to ABV, ARV² & Paralipomena. Oxford [Oxfordshire]: Published for the British Academy by Oxford University Press, 1982. p. 123Carpenter, Thomas H., J. D. Beazley, Thomas Mannack, Melanie Mendonça, and Lucilla Burn. Beazley Addenda: Additional References to ABV, ARV² & Paralipomena. Oxford: Published for the British Academy by Oxford University Press, 1989. p. 253The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1991. Reproduced: p. 9 archive.orgNeils, Jenifer. "The Cleveland Painter." Cleveland Studies in the History of Art 1 (1996):12-29. Mentioned and reproduced: P. 12-13, fig. 1 www.jstor.orgSmall, Jocelyn Penny. The Parallel Worlds of Classical Art and Text. Cambridge, UK: Cambridge University Press, 2003. 29-31, Fig. 14.Neils, Jenifer, John Howard Oakley, Katherine Hart, and Lesley A. Beaumont. Coming of Age in Ancient Greece: Images of Childhood from the Classical Past. New Haven: Yale University Press in association with the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, 2003. exh. cat., fig. 20. p. 129Neils, J. "Hera, Paestum, and the Cleveland Painter." In Greek Vases: Images, Contexts, and Controversies : Proceedings of the Conference Sponsored by the Center for the Ancient Mediterranean at Columbia University, 23-24 March 2002. Clemente Marconi. Leiden: Brill, 2004. 73-83, Figs. 6.1-6.4
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Source URL:
https://www.clevelandart.org/art/1930.104