The Cleveland Museum of Art

Collection Online as of March 28, 2024

Rank Badge (buzi)

Rank Badge (buzi)

1850–99
Overall: 29.5 x 31.3 cm (11 5/8 x 12 5/16 in.)
Location: not on view

Description

Rank badges (also called rank insignia or Mandarin squares) were used in China during the Ming (1368–1644) and Qing (1644–1911) dynasties to demonstrate the wearer’s rank. In 1391 new clothing regulations directed court officials to wear decorative squares indicating their rank—birds for civil officials and animals for military officials. During the Qing dynasty rank badge design was regulated, and certain creatures were associated with specific ranks. Qing badges depict a representation of the universe with a landscape and a central creature, surrounded by clouds and facing the sun. The sun represented the emperor and this composition showed the official’s loyalty to him. An official’s wife wore rank badges that mirrored her husband’s. Most of the examples in CMA’s collection depict creatures facing a sun on the left. Attached to the front and back of a ceremonial robe, rank badges were woven in pairs with identical imagery. One was divided vertically up the center to attach to the front of a robe with a center opening. Rank badges are generally square or rectangular, although round examples exist. They are typically satin weave or slit tapestry weave (kesi) silk. Satin weave badges often have dark backgrounds with silk and/or metal thread embroidery. Some badges incorporate peacock feathers or beads. Late in the Qing dynasty appliqué replaced embroidery to allow for quicker production and a change in rank.
  • ?-1916
    Mr. Jeptha Homer Wade II [1857-1926] and Mrs. Ellen Garretson Wade [1859-1917], Cleveland, OH, ?-1916, given to the Cleveland Museum of Art
    1916-
    The Cleveland Museum of Art, Cleveland, OH, 1916-present
  • Cammann, Schuyler. “The Development of the Mandarin Square.” Harvard Journal of Asiatic Studies 8, no. 2 (1944). p. 71–130
    Cammann, Schuyler. “Embroidery Techniques in Old China.” Archives of the Chinese Art Society of America 16 (1962). p. 16–40
    Cammann, Schuyler. “Costume in China, 1644 to 1912.” Philadelphia Museum of Art Bulletin 75, no. 326 (1979). p. 3–19
    Cammann, Schuyler V.R." Other Mandarin Squares: Korean, Annamese and Unfamiliar Examples." Arts of Asia. [Kowloon, Hong Kong]: [Arts of Asia Publications], (March-April 1992). p. 115-126
    香港市政局與香港東方陶瓷學會合辦 ; 遼寧省博物館協辦 ; 香港藝術館籌劃 = Heavens' embroidered cloths : one thousand years of Chinese textiles / jointly presented by the Urban Council, Hong Kong and the Oriental Ceramic Society of Hong Kong ; in association with the Liaoning Provincial Museum ; organized by the Hong Kong Museum of Art, Hong Kong. Urban Council, Hong Kong. Urban Council, Hong Kong Museum of Art, Oriental Ceramic Society of Hong Kong, 遼寧省博物館, Hong Kong Museum of Art, Oriental Ceramic Society of Hong Kong, and Liaoning Sheng bo wu guan. 錦繡羅衣巧天工. Hong Kong: Urban Council, 1995.
    Wrigglesworth, Linda. "Making the Grade", the Badge of Rank III: Ming (1368-1644) and Qing (1644-1911) Dynasties: December 4th to 24th 1996, London. London: Linda Wrigglesworth, 1996.
    Jackson, Beverley, and David Hugus. Ladder to the Clouds: Intrigue and Tradition in Chinese Rank. Berkeley, Calif: Ten Speed Press, 1999.
    Hall, Chris. Power Dressing: Textiles for Rulers and Priests from the Chris Hall Collection. Singapore: Asian Civilisations Museum, 2006.
    Watt, James C. Y. “The Giraffe As the Mythical Qilin in Chinese Art: A Painting and a Rank Badge in the Metropolitan Museum.” Metropolitan Museum Journal 43 (2008). p. 111–15
  • Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020).
  • {{cite web|title=Rank Badge (buzi)|url=false|author=|year=1850–99|access-date=28 March 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1916.1329