1967: The Summer of (Movie) Love
1967 was the year of the “Summer of Love.” It was also a pivotal year in the history of movies. Arthur Penn’s freewheeling Bonnie and Clyde ushered in a new era of motion picture bloodletting and violence. Mike Nichols’s satiric and sexually frank The Graduate tapped a huge, previously unrecognized audience of aimless, antiestablishment young people. Stanley Kramer’s Guess Who’s Coming to Dinner? broached the sensitive subject of interracial marriage. In 2017 each of these three groundbreaking works will receive (or already have received) special 50th anniversary screenings in multiplexes across the US.
But 1967 featured more than this trio of famous American taboo breakers. Milestone movies emerged around the globe during this seminal year in film. Master filmmakers like Luis Buñuel, Jean-Luc Godard, and Jacques Tati released major works that helped change the face of modern movies. Foreign filmmakers working in the US, like Britain’s John Boorman and Canada’s Norman Jewison, mounted their own assaults on the Hollywood establishment during the year’s cinematic revolution. The movies of 1967 reflected the upheavals that were shaking and shaping culture and society at large. These exciting works inspired a new generation of international filmgoers and filmmakers, film scholars and film programmers, cementing cinema as an art form worthy of serious attention in both the media and academia. In short, after 1967, movies were never the same.
This July and August we present seven groundbreaking works that mark their 50th anniversary in 2017. All will be shown from 35mm film in Morley Lecture Hall. Admission to each is $11; CMA members $8.
In this winner of five Academy Awards, including Best Picture and Best Actor (Steiger), a bigoted Southern sheriff must work with an African American homicide detective from Philadelphia to solve a murder in a small, backwards Mississippi town.
In this brilliant comic critique of modernity and technology, Jacques Tati’s beloved, bumbling, bumbershoot-carrying alter ego, Monsieur Hulot, adds a much-needed dose of humanity to a sterile, soulless glass and steel cityscape on the edge of Paris that he tries to navigate.
The last Disney-animated film personally produced by Walt (who died during production) is a funny, genial, tuneful take on the Kipling classic about a young Indian boy raised by wolves and befriended by other critters. Songs by the Sherman Brothers.
Two years after he is shot and left for dead, a gangster seeks revenge on those who betrayed him. This dreamy crime film with a fractured narrative and Pop Art colors, a flop when first released, is now seen as one of the stylistic landmarks of the 1960s.
In this elegantly perverse provocation by one of cinema’s great Surrealists, a young, frigid, bourgeois French housewife spends weekday afternoons moonlighting (daylighting?) as a high-class prostitute. Adults only!
A couple’s weekend excursion to the country becomes a descent into horror and barbarism in this scabrous, savagely funny attack on bourgeois values and Western civilization.
In 18th-century Japan, a longtime loyal retainer to a feudal lord revolts when the ruler demands the return of an old mistress, now the loving wife of the samurai’s son. Music by Toru Takemitsu.