Youth and Beauty: Art of the American Twenties

Tags for: Youth and Beauty: Art of the American Twenties
  • Special Exhibition
Sunday, July 1–Sunday, September 16, 2012
Location: Kelvin and Eleanor Smith Foundation Exhibition Hall
Self-Portrait with Rita (detail), 1922. Thomas Hart Benton (American, 1899–1975). Oil on canvas; 124.5 x 100 cm. National Portrait Gallery, Smithsonian Institution, Washington, D.C., Gift of Mr. and Mrs. Jack H. Mooney.

Self-Portrait with Rita (detail), 1922. Thomas Hart Benton (American, 1899–1975). Oil on canvas; 124.5 x 100 cm. National Portrait Gallery, Smithsonian Institution, Washington, D.C., Gift of Mr. and Mrs. Jack H. Mooney.

  1. Luigi Lucioni (American, 1900–1988). Paul Cadmus, 1928. Oil on canvas, 16 x 12 1/8 in. (40.6 x 30.8 cm). Brooklyn Museum, Dick S. Ramsay Fund, 2007.28
     Luigi Lucioni (American, 1900–1988). Paul Cadmus, 1928. Oil on canvas, 16 x 12 1/8 in. (40.6 x 30.8 cm). Brooklyn Museum, Dick S. Ramsay Fund, 2007.28 
  2. Aaron Douglas (American, 1899–1979). Congo, circa 1928. Gouache and pencil on paper board, 14 3/8 x 9 1/2 in. (36.5 x 24.1 cm). North Carolina Museum of Art, Raleigh, Gift of Susie R. Powell and Franklin R. Anderson
     Aaron Douglas (American, 1899–1979). Congo, circa 1928. Gouache and pencil on paper board, 14 3/8 x 9 1/2 in. (36.5 x 24.1 cm). North Carolina Museum of Art, Raleigh, Gift of Susie R. Powell and Franklin R. Anderson 
  3. Elsie Driggs (American, 1898–1992). Aeroplane, 1928. Oil on canvas, 44 x 38 in. (111.8 x 96.5 cm). The Museum of Fine Arts, Houston, Museum purchase with funds provided by the Brown Foundation Accessions Endowment Fund. © Merriman Gatch
     Elsie Driggs (American, 1898–1992). Aeroplane, 1928. Oil on canvas, 44 x 38 in. (111.8 x 96.5 cm). The Museum of Fine Arts, Houston, Museum purchase with funds provided by the Brown Foundation Accessions Endowment Fund. © Merriman Gatch 
  4. Edward Hopper (American, 1882–1967). Lighthouse Hill, 1927. Oil on canvas, 29 1/16 x 40 1/4 in. (73.8 x 102.2 cm). Dallas Museum of Art, Gift of Mr. and Mrs. Maurice Purnell, 1958.9. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art
     Edward Hopper (American, 1882–1967). Lighthouse Hill, 1927. Oil on canvas, 29 1/16 x 40 1/4 in. (73.8 x 102.2 cm). Dallas Museum of Art, Gift of Mr. and Mrs. Maurice Purnell, 1958.9. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art 
  5. Nickolas Muray (American, 1892–1965). Gloria Swanson, circa 1925. Gelatin silver print, 12 3/4 x 9 3/8 in. (32.4 x 23.8 cm). George Eastman House, International Museum of Photography and Film, Rochester, New York, Gift of Mrs. Nickolas Muray. © Estate of Nickolas Muray
     Nickolas Muray (American, 1892–1965). Gloria Swanson, circa 1925. Gelatin silver print, 12 3/4 x 9 3/8 in. (32.4 x 23.8 cm). George Eastman House, International Museum of Photography and Film, Rochester, New York, Gift of Mrs. Nickolas Muray. © Estate of Nickolas Muray 
  6. Winold Reiss (American, 1886–1953). Black Prophet, 1925. Pastel on Whatman board, 30 x 22 in. (76.2 x 55.9 cm). Private collection. © The Reiss Trust
     Winold Reiss (American, 1886–1953). Black Prophet, 1925. Pastel on Whatman board, 30 x 22 in. (76.2 x 55.9 cm). Private collection. © The Reiss Trust 
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About The Exhibition

How did American artists represent the Jazz Age? The exhibition Youth and Beauty: Art of the American Twenties brings together for the first time the work of more than 60 painters, sculptors, and photographers who explored a new mode of modern realism in the years bounded by the aftermath of the Great War and the onset of the Great Depression. Throughout the 1920s, artists created images of liberated modern bodies and the changing urban-industrial environment with an eye toward ideal form and ordered clarity—qualities seemingly at odds with a riotous decade best remembered for its flappers and Fords.

Artists took as their subjects uninhibited nudes and close-up portraits that celebrated sexual freedom and visual intimacy, as if in defiance of the restrictive routines of automated labor and the stresses of modern urban life. Reserving judgment on the ultimate effects of machine culture on the individual, they distilled cities and factories into pristine geometric compositions that appear silent and uninhabited. American artists of the Jazz Age struggled to express the experience of a dramatically remade modern world, demonstrating their faith in the potentiality of youth and in the sustaining value of beauty. Youth and Beauty will present more than 130 works by artists including Ansel Adams, George Bellows, Thomas Hart Benton, Stuart Davis, Aaron Douglas, Walker Evans, Edward Hopper, Isamu Noguchi, Georgia O'Keeffe, and Grant Wood.

Ticketed Exhibition
Adults: $15; college students (with valid student ID) and seniors (65+): $13; kids (6–17 yrs.): $7.50; kids 5 and under: free; groups of ten or more: $12; member guests: $7.50; members: free.

Youth and Beauty: Art of the American Twenties is organized by the Brooklyn Museum. Major support for this exhibition and the accompanying catalogue was also provided by the Henry Luce Foundation, the Martha A. and Robert S. Rubin Exhibition Fund, The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, and the National Endowment for the Arts.

Presenting Sponsors:

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BakerHostetler
 
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The accompanying catalogue is supported by the Henry Luce Foundation and by a Brooklyn Museum publications endowment established by the Iris and B. Gerald Cantor Foundation and the Andrew W. Mellon Foundation.