Throughout history, precious works of art have been used in worship. Radiant textiles, cherished symbols of the majesty of God as well as the wealth and power of the Catholic Church, embellished the high altar and clothed the clergy. Quality was expensive.
Dr. Martin Luther King Jr. observed in 1963 that one hundred years after the abolition of slavery in America “the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. . . .
African Master Carvers: Known and Famous addresses the false assumption that all African artists who created tradition-based art were anonymous, even though few historical artists south of the Sahara are known by name, and biographical data about their training and life is scarce.
Based variously in Paris and New York, Atelier 17 operated as an experimental workshop for modernist printmakers during the mid-twentieth century. The efforts of its artists resulted in some of the most visually exciting and technically innovative prints ever made.
Chilean-born artist Alfredo Jaar’s digital animation A Logo for America was commissioned by The Public Art Fund and shown for the first time as a Spectacolor sign in Times Square in New York in 1987.
One of the most acclaimed artists working today, Alex Katz (b. 1927) surprised the American art world during the 1950s with his refreshingly innovative approaches to painting portraits, landscapes, and still lifes.
Zen monks, tea masters, shoguns, industrialists, collectors, and connoisseurs come together through the Japanese art collection bequeathed to the museum by George Gund III.