Throughout history, precious works of art have been used in worship. Radiant textiles, cherished symbols of the majesty of God as well as the wealth and power of the Catholic Church, embellished the high altar and clothed the clergy. Quality was expensive.
In 1977, at the age of 17, Basquiat began collaborating with his friend Al Diaz as SAMO©, spray-painting aphorisms around lower Manhattan.
Brooklyn-born artist Jean-Michel Basquiat filled numerous notebooks with poetry, wordplay, sketches, and personal observations ranging from street life and popular culture to themes of race, class, and world history.
Dr. Martin Luther King Jr. observed in 1963 that one hundred years after the abolition of slavery in America “the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. . . .
African Master Carvers: Known and Famous addresses the false assumption that all African artists who created tradition-based art were anonymous, even though few historical artists south of the Sahara are known by name, and biographical data about their training and life is scarce.
Based variously in Paris and New York, Atelier 17 operated as an experimental workshop for modernist printmakers during the mid-twentieth century. The efforts of its artists resulted in some of the most visually exciting and technically innovative prints ever made.