Exhibitions

#Get2KnowCaravaggio: This Week's Gallery Q&A

Posted on August 25, 2014 by RGoodwin

"Did Caravaggio paint his own image in this painting?" is just one question asked through the run of the Cleveland Museum of Art's exhibition, Conservation in Focus: The Crucifixion of Saint Andrew. We invite you to ask questions in the gallery via our interactive Q&A and online with the hashtag #Get2KnowCaravaggio. Here are this week's five featured Q&A's!

The Believable Lie: Heinecken, Polke, and Feldmann on view at the Cleveland Museum of Art

The Cleveland Museum of Art presents The Believable Lie: Heinecken, Polke, and Feldmann, an exhibition focusing on relationships among the photographic work of three artists active during the 1970s that drew on ideas of surrealist/Dada culture of the 1920s and 1930s and influenced succeeding generations of photographers and media artists.

Interactive Map of Works Around the World from the Cleveland Museum of Art

Posted on July 22, 2014 by RGoodwin

At almost any given time, objects from the Cleveland Museum of Art's collection are on view at other cultural institutions across the country and the world. Currently, our collection is on view from Japan to Los Angeles and New York to Spain. To illustrate, we've created an interactive map on the museum's Pinterest page that visually expresses the scope of our current objects on loan.

Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art (Now Open at the Kyushu National Museum)

Posted on July 8, 2014 by hstrean

The Cleveland Museum of Art is proud to present Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. The exhibition, which opened today at the Kyushu National Museum, introduces the Japanese painting collection of the Cleveland Museum of Art. Heidi Strean, the Cleveland Museum of Art's Director of Exhibitions and Publications, shares her photos from opening day!

#Get2KnowCaravaggio: Ask an Expert

Posted on June 27, 2014 by RGoodwin

During the run of the Cleveland Museum of Art's exhibition, Conservation in Focus: The Crucifixion of Saint Andrew, we invite you to ask questions in the gallery via our interactive Q&A and online with the hashtag #Get2KnowCaravaggio. Each week, we will feature five different questions, answered by one of our museum experts. Here are this week's five featured Q&A's!

Curator Connections: A Look at Yoga: The Art of Transformation

Posted on June 20, 2014 by SQuintanilla

Yoga: The Art of Transformation, the world’s first exhibition about yoga’s visual history, will explore yoga’s meanings and transformations over time, including its entry into the global arena, its goal of spiritual enlightenment, its claim for health and well-being, and the beauty and profundity of related Indian art. The exhibition opens Sunday, June 22. Learn about the exhibition firsthand from Sonya Rhie Quintanilla, the CMA's George P. Bickford Curator of Indian and Southeast Asian Art.

Yoga: The Art of Transformation opens on June 22

The Cleveland Museum of Art presents Yoga: The Art of Transformation, the world’s first exhibition about yoga’s visual history. Visitors will be able to explore the transformation of yoga’s meanings and practice over time through 135 objects ranging from the 1st-century to the early 20th-century. The works include masterpieces of Indian painting and sculpture, as well as vintage photography and rare publications.

Conservation in Focus: #Get2KnowCaravaggio

Posted on June 3, 2014 by RGoodwin

For the first time, the Cleveland Museum of Art will conserve one of its treasures in front of museum visitors. he Crucifixion of Saint Andrew by Michelangelo Merisi da Caravaggio was painted in 1606–7 and is among the most important paintings in the museum’s collection. Starting today, audiences will be able to witness firsthand the skill, planning, research, and technical analysis that go in to a major conservation project. A sophisticated paintings conservation lab will be constructed in the museum’s focus gallery so that visitors can watch the process unfold. Conservator of Paintings Dean Yoder will be in the gallery on weekdays working on the first phase: cleaning the painting by removing deteriorated varnish layers and old retouching.

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