Artwork Page for Su Shi (So Shoku)

Details / Information for Su Shi (So Shoku)

Su Shi (So Shoku)

early 1600s

Unkoku Tōgan 雲谷等顔

(Japanese, 1547–1618)
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Culture
Japan, Momoyama period (1573–1615)
Medium
one of a pair of six-panel folding screens; ink, light color, and gold on paper
Measurements
Image: 155.5 x 360 cm (61 1/4 x 141 3/4 in.); Overall: 172 x 374 cm (67 11/16 x 147 1/4 in.)
Credit Line
John L. Severance Fund 2006.135.1
Public Domain
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Location
Not on view
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Description

This pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s. Both men were banished by their rulers for their perceived missteps. Su Shi’s comments on a series of economic reforms were seen as criticism of the emperor. Pan Lang composed an ill-advised verse about one of the king’s horses. In the left screen Pan rides backward on his donkey as he returns from exile so that he may have a last look at his now beloved Mount Hua. Su Shi, in the right screen, is shown embarking on his journey into exile. The artist of these screens, Unkoku Tōgan, was the founder of the Unkoku school of painting, which emulated the style of renowned ink painter Sesshū Tōyō (1420–1506). Tōgan was the official painter of the Mori family of what is now Yamaguchi prefecture in the south of Japan.
A horizontally oriented ink and light color painting on a six-panel folding screen depicts Su Shi, a man with a light skin tone, wide-brimmed hat, and flowing robe, walking toward the right. He glances toward us as a light-skinned youth leads a laden donkey behind him. Dark-leafed branches hang from the top center, while dark rocks and bamboo clusters grow from the lower right corner against a pale, hazy background.

Su Shi (So Shoku)

early 1600s

Unkoku Tōgan

(Japanese, 1547–1618)
Japan, Momoyama period (1573–1615)

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