Artwork Page for The People Work: Morning

Details / Information for The People Work: Morning

The People Work: Morning

1937
(American, 1904–1967)
Culture
America
Support
Medium weight, mould-made wove paper
Measurements
Platemark: 34.8 x 47.9 cm (13 11/16 x 18 7/8 in.); Sheet: 40.5 x 57.7 cm (15 15/16 x 22 11/16 in.)
Catalogue raisonné
Fine and Looney 141
Edition
40
Copyright
Copyright
This artwork is known to be under copyright.
Location
Not on view
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Did You Know?

This series of lithographs shows the artist Benton Spruance’s affinity for Mexican mural painting by such artists as Diego Rivera.

Description

These unusual cross-section views of New York City imagine the daily commute in the big city as a beehive or ant colony that never stops. Morning is the subway commute, while Noon presents dock workers on break during a bustling lunch hour. Evening is back to the subway with the buses running overhead. And Night shows workers performing maintenance while others enjoy time off at a bar, only to start all over again the next day. Jammed with commuters both above and below street level, the series highlights the intermingling of strangers that animates urban life.
A horizontally oriented lithograph in grainy black ink depicts a crowded transit station with figures in light skin tones. In the upper section, stocky people move through corridors and up stairs past a booth. Below, on our left, commuters sit inside a lit train car, while a dense crowd waits on the platform to our right. Heavy shading creates rounded forms and deep shadows throughout the scene.

The People Work: Morning

1937

Benton Spruance

(American, 1904–1967)
America

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