The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer

c. 350–200 BCE
This object has related works. See

attributed to Praxiteles

(Greek, Athenian, c. 400–330 BCE)
Base: 0.5 x 47.3 x 40.7 cm (3/16 x 18 5/8 x 16 in.); Overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.)
Weight: 52.2 kg
Location: 100 1916 Lobby
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Did You Know?

The Cleveland Apollo is the only surviving large-scale bronze sculpture of its type, Apollo Sauroktonos (the Lizard-Slayer).

Description

The Cleveland Apollo has been called both Lizard-Slayer (Sauroktonos) and Python-Slayer. The first name comes from the Roman author Pliny the Elder (23–79 CE), who noted in describing bronze works made by the Athenian sculptor Praxiteles (active around 370–330 BCE), “the youthful Apollo [is] known as the Sauroktonos because he is aiming an arrow at a lizard [Greek sauros] which is stealing toward him.”

Scholars have long connected this description with artworks showing the young Greek god Apollo in a distinctive pose and hairstyle, standing on his right leg and leaning to his left. In more completely preserved versions, Apollo reaches toward a tree with his left arm and seems to take aim at a lizard. The Cleveland Apollo shows the adolescent god similarly posed and coiffed, making it an important addition to the Apollo Sauroktonos group—the only surviving large-scale bronze sculpture of the type. The young Greek god Apollo, identifiable by his distinctive hairstyle and pose, stands on his right leg and leans to his left, probably toward a now-lost tree. Although now separated, the left forearm and hand survive, together with an unusual lizard-like creature, perhaps drawn from the world of myth. A flat bronze base also remains, though it may be a later adaptation. A tree or other support has been lost, probably smaller than in the marble versions.

Given its material and very high artistic quality—note the lifelike hair, fingernails, and inlaid copper lips and nipples—more than one scholar has suggested that the Cleveland Apollo could be the very sculpture seen by Pliny. Some have called the sculpture “Python-Slayer,” seeing the oddly shaped serpentine creature with asymmetrical legs as the mythical Python killed by Apollo in establishing his sanctuary at Delphi. But technical details may explain some of the asymmetry, and no other specific evidence connects it to Delphi. Most scholars would retain the name Sauroktonos (Lizard-Slayer) for the Cleveland Apollo, even as some debate whether it was made by Praxiteles himself or a later follower.
The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer

The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer

c. 350–200 BCE

Praxiteles, Follower

(Greek, Athenian, c. 400–330 BCE)
Greece, Athens

Visually Similar Artworks

CMA Store

 (opens in new tab)
Art: The Definitive Visual History
Art: The Definitive Visual History
by Andrew Graham Dixon Discover more than 2,500 of the world’s most influential paintings and sculptures in this beautifully- illustrated guide to the history of art. Introducing Art: The Definitive Visual Guide – an invaluable reference book that spans 30,000 years of global art history, from cave paintings to contemporary art, and showcases the works of over 700 artists in striking detail to truly bring the artwork to life. Each artistic movement, from the Italian Renaissance to Impressionism to Graffiti Art, is explained in clear detail with descriptions of their origins and influences, characteristic styles and techniques, and typical subjects.A visual timeline of key works gives an overview of the scope of each major movement, while graphics, overlays, and detailed close-ups, show readers how to "read" composition and subject matter, and explain the specifics of the techniques and methods the artist used to create their masterpieces.Explore the pages of this awe-inspiring art history book to discover: - Over 2500 of the world’s most influential paintings and sculptures- Features stunning artwork from more than 700 artists- ‘Closer Look’ sections offer a detailed analysis of key paintings The 6 core chapters are structured chronologically, starting with prehistoric art and ancient civilizations, right the way up until modern-day artwork, so there’s something for everyone to explore, learn and love. From Romanticism in the 19th Century to Realism in the 20th Century, whether it’s Pop Art or Expressionism, Minimalism and so much more – the beautiful full-color illustrations and striking imagery, make this art book the perfect gift for the art and history lover in your life, as well as an ideal coffee table book.Doubling up as a riveting reference book for anyone with an interest in art history who wants to gain a broader knowledge of the subject, as well as the perfect classroom companion in schools, libraries and more. Created in collaboration with Bridgeman, the biggest art library in the world, Art: The Definitive Visual Guide is a must-have for your bookshelf. 612 pages, Hardcover Published 2018

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.