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Painting of One Hundred Themes

Painting of One Hundred Themes

백납도 (白衲圖)

late 1800s

Part of a set. See all set records

Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk

Overall: 117.7 x 335 cm (46 5/16 x 131 7/8 in.); Painting only: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.)

Bequest of Gordon K. Mott 1998.286

Description

This screen depicts paintings on one side and poems on the other—an economical format often used in Korea to allow the viewer to enjoy both sides of one screen. The front features an assortment of bird-and-flower, landscape, and figural paintings executed according to the brush manner of more than 50 artists. A calligrapher has brushed several Chinese poems about the four seasons on the reverse side, among them "Composing in the Daytime of Summer" by Tang poet Liu Zongyuan (773–819) and "Composing when Spring Begins" by Song scholar Zhang Shi (1133–1180).

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