Gelatin silver print
Image: 9.2 x 11.9 cm (3 5/8 x 4 11/16 in.); Matted: 30.6 x 35.6 cm (12 1/16 x 14 in.)
Leonard C. Hanna, Jr. Fund 1983.202
© Aperture Foundation, Inc., Paul Strand Archive
Both of these images explore the relationship between the three- and two-dimensional worlds and, while remaining representational, emphasize each building’s abstract qualities. Best known as a painter, but also a draftsman, printmaker, filmmaker, and photographer. Crawford focused on the rural architecture of Pennsylvania and Delaware in the mid-1930s. The 18th-century adobe church of San Francisco de Assisi in Rancho de Taos, New Mexico, was an icon of pure form for modernist artists from Georgia O’Keeffe and Ansel Adams to Paul Strand, who spent summers in Taos from 1930 to 1932. Ansel Adams also chose this view of the back with its sculptural buttresses, stating that “it is the rear elevation that defines this building as one of the great architectural monuments of America.”
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
Is something not working on this page? Please email email@example.com.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you have questions about requesting an image, please email firstname.lastname@example.org.