You are here:
Brass with silver and copper inlay
Overall: 98.1 cm (38 5/8 in.); Base: 28.2 cm (11 1/8 in.)
John L. Severance Fund 1966.30
The Tibetan inscription on the pedestal identifies the owner of this stunning image as Nagaraja, a royal monk from western Tibet who was instrumental in revitalizing Buddhism in this region. Sculptures like this were the stylistic source for subsequent artistic traditions in western Tibet. The wear on the sculpture's face indicates that it was actively worshipped in Kashmir for some time before it was brought to Tibet.
The slender athletic form of the body is clearly revealed. Vestiges of pleat lines that can be traced to the toga-like robes of Greco-Roman figurines—brought centuries earlier to the Indus River region—appear like stylized waves over the torso. The areas of articulation along the borders and hems convey a sense of energy emitting from the figure. His expression is serene, with silver and copper used to animate the face. His upraised right hand indicates that his teachings lead to the freedom from all fear.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
Is something not working on this page? Please email email@example.com.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar.