Artwork Page for The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

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The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

c. 1560
(reigned 1556–1605)
Measurements
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11.4 x 9.8 cm (4 1/2 x 3 7/8 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

Banavari 1 also painted folios 49v (1962.279.49.b), 50v (1962.279.50.b), and 52v (1962.279.52.b).

Description

On the eighth night, the parrot tells Khujasta a story—the most lavishly illustrated of all the chapters in the book—that has important parallels with the experiences of Emperor Akbar himself. The overarching tale is about a prince who maintained a vow of silence despite being imprisoned and taken to be executed on seven consecutive days. Each day, the king was convinced to stop the execution after hearing a story told by one of his seven viziers, or ministers. The adjacent paintings illustrate scenes from the overarching tale as well as the fifth vizier's story. The golden sky, purple hills, cyprus tree, and flowering branches are elements learned from Persian painting. Indian sources contributed the bolster that appears to float on the suggestively red-colored plane of the bed.
A vertically oriented gum tempera and ink painting features four lines of black script against a gold-flecked background. Below, Khujasta, a woman with a light skin tone in an orange dress, stands on our right, gesturing toward a green parrot in a gold cage. On our left, a pink pavilion sits over a red bed. Background flowering trees and purple mountains rest beneath a golden-yellow sky.

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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