Artwork Page for View of Venice

Details / Information for View of Venice

View of Venice

1500
(Italian, c. 1460/70–c. 1516)
Credit Line
Catalogue raisonné
Kristeller 33a
State
I/III
Public Domain
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Location
Not on view

Description

By the end of the 15th century, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world. The city also became the great emporium for prints, and the woodcut developed beyond its humble origins as a popular art for simple pious imagery, playing cards, and later for book illustration. View of Venice epitomizes this new ambitious scope for the woodcut. This monumental print can be compared in scale only to a mural decoration and presumably served as a less expensive surrogate for paintings. The six sheets that make up the design would have been pasted either onto a canvas or the wall itself, resulting in the survival of few fine impressions like this one. The goal of the print was to depict Venice as seen from above. No single vantage point would have been sufficient, so a large team of surveyors climbed various towers and tall buildings to record small sections of the city. These individual views were combined to form the map that follows a single, though inconsistent, system of perspective. Unprecedented for its exactness of detail and difficulty of execution, View of Venice represents the first attempt to render the image of a city according to the laws of geometry.
A grid of woodcuts combines to display a vast bird's-eye view of Venice from above. Densely packed buildings fill the land, divided by the winding Grand Canal and surrounded by water. The upper right and lower left feature heads in clouds blowing air toward the city center near labels like FAVONIVS and CIRCIVS. Beyond the water, a range of jagged mountains stretches across the far horizon under a pale sky.

View of Venice

1500

Jacopo de' Barbari

(Italian, c. 1460/70–c. 1516)
Italy, early 16th Century

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