Artwork Page for Base for a sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti)

Details / Information for Base for a sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti)

Base for a sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti)

c 1800s
Medium
Wood
Measurements
Overall: 6 x 10.2 cm (2 3/8 x 4 in.)
Credit Line
Public Domain
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Location
108A African
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Did You Know?

This distinctive footwear traveled from Southeast Asia and the Middle East to Africa, first to the Swahili Coast and then further inland to parts of Central Africa. The deity Krishna wears similar shoes (paduka) in an eighteenth-century Indian miniature painting (2003.344).

Description

Common in the Indian Ocean region, wooden sandals changed meaning across place and time. This pair’s base elevates the foot as the toes grip an antelope-shaped peg (msuruaki). Crisp geometric sole designs suggest they were rarely worn. East African elites and merchants once had exclusive rights to wooden shoes, wearing elaborate ones only for portraits. Formerly enslaved people living along the coast wore simpler ones from the 1840s onward, adopting elite footwear to assert their liberation. However, slave traders like the Zanzibari “Tippu Tip” (c. 1832–1905) likely brought mitalawanda to Central Africa; stylistic elements of this pair hail from that region.
A dark brown wood sandal base features a curved platform elevated by two thick, rounded blocks. Intricate patterns of semicircles and scales are carved across the top surface, while the support blocks below have deep, vertical wavy grooves. A small circular hole is bored near the right end. The entire piece exhibits a rhythmic texture and narrows slightly toward the center, showcasing detailed, handcrafted geometry.

Base for a sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti)

c 1800s

Africa, Central Africa, Democratic Republic of Congo, unidentified carver

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